Aesthetic Perception: An Epistemic Approach

Abstract

This study seeks to explore the epistemological dimensions of aesthetics Perception, particularly in relation to the general structure of human thought. The discussion begins with examining the archaeology of knowledge and the origins of cultural-historical analysis of ideas, as articulated by Michel Foucault. It then addresses the general epistemological framework of aesthetics, including its interpretive horizons, which require realignment and reconstruction with the reality of reception and the contemporary modes of aesthetic appreciation. Through the interdisciplinary analysis we try to understand the principle states that aesthetic perception can be interpreted through aesthetic attitude. The study concludes by examining the phenomenon of the Grotesque, its aesthetic limitations, and the potential of analyzing it from an aesthetic cultural perspective.